{"id":13,"date":"2015-06-05T11:10:10","date_gmt":"2015-06-05T09:10:10","guid":{"rendered":"https:\/\/khosroumahmoudi.wordpress.com\/?page_id=13"},"modified":"2025-08-15T17:17:53","modified_gmt":"2025-08-15T15:17:53","slug":"schauspieler","status":"publish","type":"page","link":"https:\/\/khosroumahmoudi.com\/en\/schauspieler\/","title":{"rendered":"Actor"},"content":{"rendered":"

<\/p>\n

Theater<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Year<\/b><\/td>\nPiece<\/b><\/td>\nDirector<\/b><\/td>\n<\/tr>\n
2023<\/td>\nTranslation<\/td>\nvorschlag:hammer<\/td>\n<\/tr>\n
2023<\/td>\nBromio<\/td>\nSimone Derai & Marta Ciappina<\/td>\n<\/tr>\n
2022<\/td>\n50 Years FH Dortmund<\/td>\nstoryLab kiU<\/td>\n<\/tr>\n
2021<\/td>\nNo Future Club<\/td>\nJascha Sommer<\/td>\n<\/tr>\n
2020<\/td>\nMetamorphosis<\/td>\nDavid Guy Kono<\/td>\n<\/tr>\n
2018<\/td>\nOurstory<\/td>\nKGI<\/td>\n<\/tr>\n
2018<\/td>\nSleeprhapsody<\/td>\nMahmoudi & van Suntum<\/td>\n<\/tr>\n
2017<\/td>\nThe green Cockatoo \/Muelheim<\/td>\nKGI<\/td>\n<\/tr>\n
2016<\/td>\nThe adventures of strong Vanya\/Muelheim<\/td>\nvorschlag:hammer<\/td>\n<\/tr>\n
2016<\/td>\nThe ballad of the sad caf\u00e9, a scenic reading\/Duisburg<\/td>\nDijana Brnic<\/td>\n<\/tr>\n
2016<\/td>\nTransformers\/Muelheim<\/td>\nKGI<\/td>\n<\/tr>\n
2015<\/td>\nYou have sugar, boy!\/Muenster<\/td>\nSandra Setzkorn, Ralf Haarmann<\/td>\n<\/tr>\n
2014<\/td>\nMeasure for measure\/Berlin<\/td>\nJudith von Radetzky<\/td>\n<\/tr>\n
2014<\/td>\nMori No Kokyu (The Breathing of The Forest)\/Duesseldorf<\/td>\nvorschlag:hammer<\/td>\n<\/tr>\n
2014<\/td>\nTwo thousand Plateaus\/Muelheim<\/td>\nSebastian Brohn<\/td>\n<\/tr>\n
2013<\/td>\n\u00a0Untitled (Anniversary of Polish Institute)\/Duesseldorf<\/td>\nvorschlag:hammer<\/td>\n<\/tr>\n
2013<\/td>\nThe art of comedy<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2013<\/td>\nPerformance “Koleda”, Wegajti, Poland<\/td>\nWaclaw Sobaszek<\/td>\n<\/tr>\n
2012<\/td>\nWoyzeck<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2012<\/td>\nDanton`s death<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2012<\/td>\nMerchant of Venice<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2012<\/td>\nThe mouth of the blind corps\/Theater Festival\/Wegajti<\/td>\nFabrice Nicot<\/td>\n<\/tr>\n
2011<\/td>\nKaos<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2010<\/td>\nDonia Rosita or the language of flowers<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2010<\/td>\nSiren song<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2009<\/td>\nKaspar<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2009<\/td>\nFassbinder<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2008<\/td>\nWho did bury my shoes?<\/td>\nRoberto Ciulli<\/td>\n<\/tr>\n
2008<\/td>\nMan equals Man<\/td>\nNeda Shahrokhi<\/td>\n<\/tr>\n
2008<\/td>\nI am not Alice but here everything is wonderful.<\/td>\nMohammad Hatami<\/td>\n<\/tr>\n
2008<\/td>\nFour Pieces from Beckett (Rough for Theater 1 , Ohio Impromptu, Catastrophe, Footfalls)<\/td>\nAli Akbar Alizad<\/td>\n<\/tr>\n
2007<\/td>\nPinocchio<\/td>\nAli Asghar Dashti<\/td>\n<\/tr>\n
2007<\/td>\nAnatotigh, Performance<\/td>\nAtila Pessiani<\/td>\n<\/tr>\n
2007<\/td>\nAn untuned Symphony<\/td>\nAtila Pessiani<\/td>\n<\/tr>\n
2007<\/td>\nButterfly and yoke<\/td>\nArwand Dashtarai<\/td>\n<\/tr>\n
2006<\/td>\nTwo Pieces from Chekhov (Swan Song, Anniversary)<\/td>\nAli Akbar Alizad<\/td>\n<\/tr>\n
2006<\/td>\nThe person who is in the mirror, isn`t me.<\/td>\nSamira Sinai<\/td>\n<\/tr>\n
2006<\/td>\nThe eighth day<\/td>\nSamira Mahdavi<\/td>\n<\/tr>\n
2006<\/td>\nOedipus<\/td>\nFabrice Nicot<\/td>\n<\/tr>\n
2006<\/td>\nThe death of silk<\/td>\nAtila Pessiani<\/td>\n<\/tr>\n
2005<\/td>\nPapergame<\/td>\nSamira Sinai<\/td>\n<\/tr>\n
2005<\/td>\nDon Quixote<\/td>\nAli Asghar Dashti<\/td>\n<\/tr>\n
2004<\/td>\nBicycle and crow, Performance<\/td>\nAtila Pessiani<\/td>\n<\/tr>\n
2004<\/td>\nWaiting for Godot<\/td>\nAli Akbar Alizad<\/td>\n<\/tr>\n
1999<\/td>\nWind is a horse<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1998<\/td>\nThe beautiful days of kind Talaat<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1997<\/td>\nBeastfang<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1996<\/td>\nThe honour of unhappy Yahia<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1995<\/td>\nThe quiet time of the deads<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1994<\/td>\nThe long trip of the King<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1992<\/td>\nThe Moon and the leopard<\/td>\nSirus Kahuri Nejad<\/td>\n<\/tr>\n
1991<\/td>\nThe Love of Rikon Year<\/td>\nHossein A. Nassab<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Film<\/h3>\n\n\n\n\n\n\n\n\n
Year<\/b><\/td>\nFilm<\/b><\/td>\nDirector<\/b><\/td>\n<\/tr>\n
2017<\/td>\nFrom the probable and the improbable, short film<\/td>\nMaria Vogt<\/td>\n<\/tr>\n
2013<\/td>\nOne bright Day, short film<\/td>\nParisa Pajuhandeh<\/td>\n<\/tr>\n
2012<\/td>\nUnity, short film<\/td>\nFelix Giese<\/td>\n<\/tr>\n
2006<\/td>\nRules of Game<\/td>\nAhmad Reza Motamed<\/td>\n<\/tr>\n
2005<\/td>\nConversation with Shadows<\/td>\nKhosrou Sinai<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n\n\n

<\/p>\n\n\n\n

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